Cabin II sits right next to cabin I; a marble, formal-looking building, graceful with slim columns and designs of peacock feathers and pomegranates. It is done in a similar way to Zeus' cabin. Inside: like a temple with a large statue of Hera in the center. There are no furniture inside due to no one will ever stay in that cabin. She is bout family and mariage, thus meaning her marrage to Zeus prevent her from having any Demigod children of her own.

Cabin III, Poseiden's cabin. A long, low building with windows facing the ocean, and looking like it's made of rough seastone, with pieces of coral at the end of the cabin and a seashell and a trident over the door. Percy described its smell to be same as the cabin at Montauk where his mother and father met. Inside: walls made of abalone with rows of neat bunks, and a salt water fountain (it was replaced after Percy destroyed it). There is also a sort of mobile of hippocampi.

Cabin IV is covered in flowers and tomato plants grow on the walls and doorway. It has a real grass roof. Inside, the floors are made out of grass instead of wood or concrete. There is a small garden in the middle where Demeter's children can plant their plants. Small trees line the wall, and the bunks are built into the trees.

Cabin V; inexpertly painted red and has a large boar's head over the door with barbed wire on the roof. Inside: unknown but Annabeth mentioned it did have land mines.

Cabin VI; a gray building with silver curtains and a design of an owl over the door. Inside: most of the space is devoted to maps and various projects, with all the bunks shoved together against one wall, "as if sleep was not important". Percy described it as a "braniac's workshop."

Cabin VII; seems to be made of solid gold and made to glow during the daytime - it's hard to tell if the gold is reflecting light or generating it. Inside: unknown

Cabin VIII; an all silver building with silver curtains, similar to the outfit of the Hunters. Glows silver during nighttime, but looks like a normal cabin in the day. Only the Hunters of Artmis may step foot inside. Inside: unknown

Cabin IX; looks like a small factory, with brick and with smokestacks like the forges. Inside: "Steel bunks were folded against the walls like high-tech Murphy beds. Each had a digital control panel, blinking LED lights, glowing gems, and interlocking gears. A fire pole comes down from the second floor. A circular staircase led down into some kind of basement. The walls were lined with every kind of power tool imaginable, plus a huge assortment of weaponry. A large workbench overflowed with scrap metal---screws, bolts, washers, nails, rivets, and a million other machine parts."

Cabin X; a wooden cabin with a painted blue roof, checkerboard floors and smells heavily of designer perfume. Piper describes it as "a giant Barbie house where supermodels go to die." Inside: "It is described as a life-size dollhouse with pink walls and white window trim. The lace curtains are pastel blue and green which of course matched the sheets and feather comforters on all the beds. The guys had one row of bunks separated by a curtain, but their section of the cabin was just as neat and orderly as the girls'. Every camper had a wooden camp chest at the foot of their bunk with their name painted on it. The only other bit of individualism was how the campers had decorated their private bunk spaces. Each had slightly different pictures tacked up of whatever celebrities they thought were hot. A few had personal photos, too, but most were actors or singers or whatever."

Cabin XI; peeling brown paint and a caduceus over the door. It is probably in such bad shape because it was so over-populated. Once more demigods started getting claimed and the minor gods' cabins were built, conditions likely improved. Inside: crowded with bunks and sleeping bags. almost no place on floor. Possibly improved.

Cain XII; its roof and walls lined with grape vines. Inside: unknown

CabinXIII; a windowless cabin made of solid obsidian, with heavy columns and torches that burn green Greek fire twenty-four hours a day. Inside: unknown.

Cabin XIV; the children of Iris stay here.

Cabin XV; described by Jason as an old-fashioned prairie house. It has mud thatched walls and rush roof. Red poppies over the door entrance. Inside: soft violin music plays, warm beds with soft feather pillows, and a branch from a poplar tree dipped in water from the River Lethe (the symbol of Hypnos).

Cabin XVI; this cabin has no yet been described in the series. Until it is, this will be the description; to demonstrate her role in the balance in good and bad in the lives of others, Nemisis' cabin looks like it was put together with two different and totally oposite buldings. There are two doors, the left one hangs off its hinges and the right was finely crafted, each made of wood. The left side is made from plain concrete, the right made from wood painted white. The window on the left side is broken (the Demigods put a screen so nothing comes in) while the right side window has an elaborateltly designed black and white curtain hanging infront of a stained glass window. Above the doors is a scale, the symbole for Nemisis, representing the balance of both good and bad.

Cabin for the god of darkness and shadows, this cabin always has a shadow about it even in the sunlight. The bricks on the outside are a dark redish grey, and the door and roof are painted black. On the inside is dark blues on the wall, with black on the ceiling and bed sheets.

Goddess of strife, discord and chaos. This cabin is new, but it's barely kept. You can barely see it on the outside, which is almost identical to the Hermes cabin, but on the inside the floor is cluttered with clothes and items like games, books and other such things. It's basicly an "organized mess" made by the campers of Eris.

This cabin is dedicated to the Muses, the goddesses of music, song and dance. The wodden walls are written on with lyrics, music streams from the windows, and the doors are made from musical instruments. In the lyrics one can see records of the past.